Venice's Golden Lion comes down to a Gaza documentary and a comedy
The 83rd festival closes tonight with Maggie Gyllenhaal's jury choosing between the longest ovation in Venice history and Martin McDonagh's third competition film.

The 83rd Venice Film Festival closes tonight, and the Golden Lion looks like a straight fight between two films nobody wanted to follow on the Lido.
NAZA, the Gaza documentary from No Other Land directors Yuval Abraham and Rachel Szor, drew a 24.5-minute standing ovation at its premiere on 10 September, the longest recorded at the festival, Variety reported. Executive producer Jonathan Glazer led the applause. Some of the audience held Palestinian flags.
The record it broke was a year old, and it belongs to someone in the room tonight. Kaouther Ben Hania's The Voice of Hind Rajab ran to 22 minutes in 2025. Ben Hania is on this year's jury.
The two films in front
NAZA is built on anonymised testimony from 24 Israeli military insiders, and it is the only documentary in the 21-film competition. It was added to the line-up on 24 August, weeks after the rest. A win would not be unprecedented: Gianfranco Rosi's Sacro GRA took the Golden Lion in 2013.
Martin McDonagh's Wild Horse Nine had the festival's first rapturous reception, a 13-minute ovation that left John Malkovich fighting back tears, per Variety. The film follows two CIA agents on Easter Island shortly before the 1973 coup in Chile, with Malkovich opposite Sam Rockwell.
This is McDonagh's third competition film in a row at Venice. Three Billboards Outside Ebbing, Missouri left with the screenplay prize in 2017. The Banshees of Inisherin took screenplay and the Volpi Cup for Colin Farrell in 2022. A jury that likes him has somewhere obvious to put him again, which is not the same as giving him the Lion.
The one the critics preferred
Neither film has the best reviews of the festival. That is Lee Chang-dong's Possible Love, which premiered to near-uniform praise and an ovation cut short only because staff had to clear the room for the next screening, the Korea Herald reported.
Ovations are a poor guide to juries. They measure who is in the room and how they feel at midnight. A jury argues for two days in a hotel and hands the prize to the film it can defend over breakfast.
The jury, and the row it opened with
Maggie Gyllenhaal chairs a jury of Ben Hania, composer Daniel Blumberg, academic Francesco Casetti, director Xavier Giannoli, director Shahrbanoo Sadat and Johnnie To. Gyllenhaal opened the festival by asking publicly why only two of the 21 competition films had a woman directing, a question the festival's artistic director answered with an argument about quality, as we reported.
Both of those films are still in the race. May el-Toukhy's Woman Unknown has admirers, and Szor co-directed NAZA.
The winners are announced at 19:00 Rome time in the Sala Grande, and the closing film screens after.
Reporting this piece draws on
The writer
Priya Raman — Awards and festivals treated as a campaign beat: strategy, precursor maths, voting bodies and money, from first screening to final ballot.
More from Awards

DuVernay's 14th leads Critics Choice. 8 of 11 winners missed Oscars
14th has six Critics Choice Documentary Awards nominations. We checked every past winner of the top prize against the Oscar lists: three of 11 were nominated, and from 2017 to 2024 it was one in nine.

Elsinore opens the London Film Festival slot that Oscar forgot
The Imitation Game opened the London Film Festival in 2014 and took eight Oscar nominations. The eleven opening films since have taken none. Elsinore, with Andrew Scott tipped for Best Actor, is the first real frontrunner in the slot in twelve years.

Emmys go to Prime Video at $15m a year, a seventh of the Oscars' fee
Amazon will pay about $15m a year for the Emmys from 2027. YouTube committed nine figures for the Oscars. The awards rights market, and the three-year exodus from broadcast, in numbers.